Luyện nói tiếng Anh bằng Shadowing qua video: Tom Holland and Jon Bernthal Team Up While Eating Spicy Wings | Hot Ones

I feel like I could black out.

Hey, what's going on everybody?

For First We Feast, I'm Sean Evans and you're watching Hot Ones.

It's the show with hot questions and even hotter wings.

And today we welcome Jon Bernthal and Tom Holland back to the hot seat.

Let's go.

A decade ago, they starred in a gritty medieval thriller called Pilgrimage, and this summer they share a screen in not one but two of the most anticipated films of the summer.

Catch them both in Spider-Man Brand New Day, premiering in theaters July 31st. And they also share a screen in Christopher Nolan's The Odyssey, which you can catch in theaters now.

John, Tom, welcome back to the show.

Thank you for having us.

Thank you, brother.

Now, John, during your episode, I remember I nearly choked to death on the first wing.

And then, Tom, I remember that you grabbed the hottest wing first during your Hot Ones appearance.

I don't know what's in store for us today, but all I know is we have to have each other's backs out here.

I think today is gonna be very chaotic.

We get together, wheels come off.

Let's go.

Mine look glorious.

That is dangerous.

Can't do.

That's really tasty.

Mm-hmm.

We're going back for more, huh?

I'm not wasting any food today.

Yeah, yeah, yeah.

Just no small bites, you know?

But we can't act all, like, big and bad like some grizzly bears on number one.

You know what I'm saying?

Like, this don't mean nothing.

You know what I mean?

We got to do the same thing now on number seven.

You know what I mean?

You're setting a precedent, a dangerous one, Tom.

So, Don, I've heard you say

that you never want to let the fans down by taking a giant jump with a character like Frank Castle.

I'm curious, where is the line for you between a fresh idea and a betrayal to the character?

That's a good question.

That's a great question.

I think you can't ever get into anything with Frank that betrays that notion, that consciously he is never looking for the light.

He is never looking to relieve the pain.

He's looking to dive into it.

He's looking to go head first into it, to dig into the wound that kind of, you know, is his whole, you know, life's view now.

I've known a lot of people who put a lot of effort into building walls around their hearts.

And I think anybody who does that, there's always cracks and light always does shine through.

I think it is what makes us kind of quintessentially human.

So I love, as much as I look for opportunities to turn my back on the audience

and to go to a place where I can't be forgiven, I also love the opportunity to be won back and to find those little rays of light.

And what better ray of light than this guy right here, right?

It's good.

It's hotter.

You can tell it's hotter.

That's different, right?

And that's two, bro.

That's spicy, Sean.

To be honest with you, that's pretty humbling because that's way hotter.

That's a lot hotter than that.

It's like, where did you go?

Yeah, that's one to two.

Yeah.

So exponentially, I mean, I'm not a mathematician, but what the fuck, bro?

That's way hotter.

I don't remember that.

I remember it being easy until seven.

I don't remember the steps being so intense.

Why is that so much hotter?

Yeah.

That's hotter.

Your eyes are watered.

Listen, are you okay?

It's a shared experience for all of us.

Cause you, um.

Bro, that's way hotter.

Way hotter.

Alright.

So Tom, I've heard you say that while filming The Odyssey in Morocco, that it felt more to you like a historical reenactment than a film set.

That's right.

What was the most surreal, where am I moment of the whole shoot for you?

I think that first day when I visited in Morocco, you were working that day, and I went to the beach to just watch them work.

I kind of wanted to get a bit of a jump on how Chris likes to work

and just watch kind of from afar.

and I arrived at the beach and I could not see a single crew member.

You're seeing miles and miles of ships and extras and warriors and horses and you ask yourself, like, where is the crew?

So then they asked me to walk down this beach

and every sort of 10 minutes you'd hear rolling

and I'd have to lie down and hide behind these dunes and I kept asking myself, like, where is, where are they rolling?

I can't see the crew anywhere.

And then eventually I got down to where Matt was and his men and all that sort of stuff.

And it really felt at that moment like we were a part of something that had never been done before.

Akin to the sort of Lawrence of Arabia, those movies where they are legend, not just in the quality of the film,

but in the size and scale and the ambition of what Chris was trying to do.

Number three.

Number three?

Cakewalk, bro.

Again, that's really tasty.

It might take a second.

It's really tasty.

Well, this is your own sauce.

100

This is really tasty.

101

I like it a lot.

102

Maybe that's like a branding thing, huh?

103

They make you like that.

104

Hot one's hot sauce, right?

105

Yeah, that's a good idea.

106

That's a great one.

107

Smart, smart, smart.

108

Thank you, Ed.

109

For the uninitiated, can you explain what it means to achieve unconscious competence?

110

Oh, sure, man.

111

Unconscious competence.

112

Yeah, that's great, man.

113

That's a good question, Sean.

114

Holy shit.

115

You did it again, you fucker.

116

Yeah.

117

Yeah, look, I mean, it's something that they talk about in Moscow

118

and at the Moscow Art Theater in terms of learning a new behavior.

119

So for character building, they often talk about that to take on a walk or to take on a gesture, to take on a job or a vocation or a dialect.

120

You got to, first you got to know what you're doing.

121

Then you got to start doing it all the time.

122

And then if you just put enough time in that box, you'll get to a place where you don't even need to think about it.

123

You just start doing it.

124

And I really do think that can be applied to even psychological things

125

and things you just want to change about your outlook on life.

126

Wow, that's really cool.

127

Thanks, man.

128

Yeah, I was locked in then.

129

Fuck you, bro.

130

Fuck you.

131

Yeah.

132

And the spice fucking went away.

133

Yeah, it totally did go away.

134

Dude, this is cake, bro.

135

This is birthday cake, bro.

136

That was unconscious confidence.

137

Yeah, dude.

138

It just disappeared.

139

I am not nervous at all anymore.

140

Like, this is cake, bro.

141

Yeah, it's a one.

142

Maybe I'm fine.

143

Let's go.

144

Let's go.

145

Should we jump to the end?

146

No, I'm just playing.

147

Oh, shit.

148

Steady on.

149

I know.

150

I'm sorry.

151

That's a nice catch, though.

152

Thank you, buddy.

153

It's all part of it.

154

You don't have shit on your shirt.

155

You ain't doing nothing.

156

So Tom, I've heard you say

157

that you're actually more comfortable playing a character with an American accent as opposed to a British one

158

because it creates an immediate separation between you and the character.

159

Are there any other tricks that help you step into the shoes of a character like Peter Parker?

160

I think physicality for me is like step one with any character.

161

But the accent for me, having an american accent is is almost like a disguise you know the moment

162

that i start speaking with an english accent i feel like i go into like press mode

163

and it feels like a kind of a representation of who i am as a person

164

but i would love to explore some more british accents

165

because you know as an island we have some of the the most interesting, unique, and fun accents.

166

And I would love to do some work to figure out.

167

The regional dialect.

168

Yeah, exactly.

169

I think there's more accents in Britain than any other country.

170

I think so.

171

Why does it always got to come to competition?

172

That's not competition.

173

I'm just a simple fact.

174

I'm just putting it out there.

175

OK, so maybe it's my problem, not your problem.

176

I think it's a bit of a you problem.

177

OK, fine.

178

Then I'll admit it's a problem.

179

But I would go out on a limb to say there are more accents in America than there are in Britain.

180

Well, come on, there has to be.

181

Somebody's got some sort of, how can you tell me that in that little country, that they, just keep rolling on this.

182

Because I'm just gonna eat his words.

183

You really think there's more dialects in England than there are in America?

184

Well, I would, I would, I would drink a shot of that hottest hot sauce.

185

No, don't say that.

186

Uh oh.

187

To say that that's right.

188

You really?

189

Yeah.

190

Who's right?

191

Bullshit.

192

When we worked together the first time, Oh fuck.

193

John was playing a mute.

194

Right, right, right.

195

In the movie.

196

You were the only person he could lean on.

197

Yeah, and I was his best friend in the movie, and like three or four weeks before we started shooting we'd become good friends, we were hanging out, and then all of a sudden he's like, listen dog, like, I'm, uh,

198

listen man, like, I'm gonna have to do this shit, like, I'm not gonna talk, I'm gonna go full fucking method, I'm not doing it, I'm gonna need your help,

199

I'm gonna need to lean on your shoulder." I'm like, yeah, whatever, man.

200

Like, if that's what you wanna do, that's what you wanna do.

201

And then for like two weeks, not a peep out of him, right?

202

And we all know Jon Bernthal.

203

We all love Jon Bernthal.

204

My man loves to talk, right?

205

So we sat at restaurants and he's writing down his food.

206

These are regular restaurants in Ireland.

207

And I'm having to be like, I'm sorry about my friend.

208

He's just a pretentious actor.

209

And I'm like reading out his order, right?

210

And then one day we were in a restaurant And he had salmon.

211

And he said to me, he wrote down, can you ask for some lemon for my salmon?

212

I like lemon on my salmon, bro.

213

Yeah, listen, we all do.

214

And that's all I had there was salmon.

215

So the lady, I said, excuse me, can I have some lemon, please, for his salmon?

216

Maybe she misheard me or something.

217

So she came and brought this lemon and dropped it in his drink, in his water, and then immediately he was like, all right, fuck it.

218

I'm talking again.

219

It's true.

220

You have to draw the line somewhere.

221

It's true.

222

It's true.

223

On that note, are you guys ready to move on here?

224

Yes.

225

Yes.

226

Yes.

227

I love that story.

228

Oh, boy.

229

Yeah.

230

What's this one called?

231

This is hot and saucy over here.

232

Yeah.

233

Let's go.

234

The halfway mark.

235

This is going to be a lot hotter.

236

Oh, yeah.

237

Here we go.

238

That's a lot hotter.

239

You can see right from the jump.

240

Yeah.

241

Oh, shit.

242

John, is it true that your first acting performance

243

that made your teacher believe in you was a monologue about your mom giving you a catcher's mitt on her deathbed?

244

That is very true.

245

I went to school to play sports and I had no interest in being an actor.

246

You just had to take an arts requirement.

247

So everybody suggested that I take this acting class that was like 200 people in a theater.

248

But I wound up, because of the asshole that I was, I wound up in the serious theater kid, you know, intro to acting class.

249

And it was insane.

250

And the very first thing that we had to do, the first assignment was to bring in something

251

that meant a lot to each of us and share it with the rest of the class.

252

And I couldn't believe the level of emotion, the emoting and the talking about the blues traveler CD

253

that their boyfriend had given them before school or their grandfather's corncob pipe.

254

And I didn't have anything.

255

So yeah, I just, I grabbed my catcher's glove

256

and just launched into this story about how my mom had given it to me on her deathbed.

257

And I was crying my eyes out

258

and uh i looked around everybody else was crying their eyes out

259

and i said whoa whoa wait wait i'm just doing the acting here

260

and yeah and then but and then that teacher alma becker she um

261

she said look you uh she she read my ass about violating the sanctity of her studio

262

but then she said you know your punishment is you got to audition for the play

263

and that's what got me my first play and almost one

264

that sent me to russia

265

and uh i got her picture up in my dressing room now she married my wife

266

and i um she passed a few years back but uh she saved my life and it's a true

267

testament to the power of a teacher and that that one woman

268

that one day you know changed everything changed the entire course of my life

269

and i really feel like i owe everything to her

270

that's an amazing story the stories help this story yeah you

271

know what he does too is he he he makes their

272

time like you know what i mean he like he takes time in between each one

273

so you forget what you're fucking doing here yeah you just let yeah a lot of it's an amazing um interview

274

it's the best this is the best interview show you can

275

ask me anything right now yeah let's do this john okay oh

276

so this one is called tropical amarillo sauce number six is it is it oh yeah

277

so look at the next one's got a dragon on it all right oh that looks spicy

278

so christopher nolan has referred to the odyssey as the marvel of its day does

279

that seem like an apt analogy to you guys they're really

280

emotional i think all of the best marvel characters are ones

281

that are really relatable and have real emotions you know

282

and i think that when you read the poem it's super super emotional

283

and really just about the characters with one of the most

284

intricately told family dramas that i've seen

285

and neither one gets in the way of the other you never feel like the scale is overshadowing the heart

286

and the heart is never dampening down the scale

287

and i think chris is probably the only person that can do

288

that because it's a real skill set to be able to do

289

that you know there's so many different communities

290

that feel seen in the marvel world

291

and i think you know the odyssey is a globe-trotting adventure

292

and and experiences so many different cultural elements of that time, I guess.

293

I'm sure Chris's answer is so much more eloquent than why I just said.

294

That was good, man.

295

That's right on.

296

That was great.

297

Cheers, pal.

298

Eight dragons.

299

What comes back to haunt you?

300

A little bit, but...

301

I like how you double-dipped him, bro.

302

Yeah, Sean, that was impressive.

303

I'm just trying to keep up.

304

Have you ever had moments where you're like, I just can't do this today?

305

No. No?

306

It's the cross that I bear, you know?

307

And you bear it so well.

308

Rain, sleet, or shine, I am here to take on the Hot Ones Gauntlet.

309

Let's go.

310

So you're both veterans of the theater, and I've been trying to go to the theater a lot more recently.

311

I understand that Broadway and West End shows, they actually start eight minutes after the advertised curtain time.

312

What is it about those eight minutes?

313

You don't want to have to demand their focus the moment you walk on stage.

314

I think that's probably what it is.

315

And I think you don't want stragglers.

316

You don't want people kind of coming in, you know, once the thing started.

317

But I'll tell you, that time, that's my favorite time of the day, without a doubt.

318

So those eight minutes, whatever those are, I've always thought that the theater itself, there's just a lot of ghosts there.

319

There's so much spirit there.

320

There's so much emotion and heart that's been left on that stage.

321

And I feel like it's an unbelievable time to kind of communicate with folks that might not be here anymore.

322

And it's my favorite part of the day, without a doubt.

323

On that topic, what's a ghost light?

324

And why is it that some theaters never go dark?

325

Yeah, it's for that exact reason.

326

You keep the lights on for the ghosts, you know?

327

And I don't know why...

328

I don't know...

329

It is just universally and forever sort of understood, and every person who's spent a lot of time in the theater, it's just something you feel in your bones.

330

Is whistling on stage or saying Macbeth?

331

Do you guys consider that bad luck in a theater?

332

I mean, there would be people that would be very upset with you if you didn't say the Scottish play.

333

I try not to let myself get hung up on superstition

334

because I'm the type of person

335

that can really really get sucked into it You know without trying to sound too much like a douchebag

336

and too grandiose I love the feeling

337

that you could die out there I love the feeling

338

that it could all fall apart

339

so for me I don't like to tempt anything I don't

340

give voice to it You won't hear me I'm not going to whistle

341

but I'm not going to say either one I'm not going to say either one of those two names of

342

that Shakespearean play You know, and I just I just don't want to I don't want to mess with any of it.

343

I Didn't listen to anything you just said.

344

Haha.

345

It's not that bad.

346

Oh top.

347

I just thought I Don't know why you're being so aggressive with this.

348

That's what you said brother.

349

I said you got it.

350

We got a fucking bite

351

Can't wait this is the one hello bomb This is one that put little Henry Bernthal on the edge.

352

Let's go I actually don't want to do this.

353

I think so, man.

354

Oh, man.

355

And that thought didn't hit you until you put it right in your hand.

356

Yeah.

357

I remember.

358

Bro.

359

I remember the Lakers game afterwards.

360

You're serious, bro.

361

And I remember nearly shitting myself courtside.

362

You know what's crazy?

363

You get in your mouth.

364

You can feel the heat.

365

It doesn't start hurting immediately, but I'll tell you now, bro, I'm like 20 seconds in.

366

It's hurting.

367

It's definitely hurting.

368

You know what I mean?

369

You can tell it's gonna be fucked up, it's fucked up.

370

It gets more and more fucked up.

371

That's battery acid.

372

That's crazy to me that people would want to be honest.

373

It's crazy to me that people would want to eat that.

374

It's also crazy to me that like...

375

There's no uh...

376

Water makes it look.

377

There's no warning.

378

I mean it does have like a nuclear sign on it.

379

The label is kind of...

380

Hey man, whoa.

381

Wow.

382

It's not every day that you find yourselves in not one but two of the biggest movies of the summer.

383

So if you'll humor me, I want to play a friendly superlatives game where I give you a statement, and you tell me which wins the category.

384

The Odyssey or Spider-Man Brand New Day.

385

You want to pit the movies against each other?

386

In a friendly way.

387

Okay.

388

Which was the more...

389

Yeah.

390

Which production had the more intimidating first day on set?

391

The Odyssey. That one.

392

That's real bad huh?

393

That's really bad.

394

Which production had the longer hours?

395

I gotta see.

396

Bro.

397

That's really bad.

398

Oh man.

399

Which had the better accommodations, trailer or home base?

400

Spiderman.

401

Yeah, yeah, yeah.

402

Not even close.

403

You wanna try some milk?

404

Yeah, yeah, he wants some milk.

405

Yeah, it's okay.

406

Cheers bro.

407

There's no shame in it.

408

Cheers.

409

I panicked then.

410

I was like, isn't milk gluten?

411

Losing my mind.

412

I'll drink all the fucking gluten in the world right now, bro.

413

Which one had the more intense prosthetics or costumes?

414

I'm in full lycra, dude.

415

Full lycra in Spider-Man.

416

Yeah, I guess that's right.

417

It's pretty intense.

418

And I don't want to shortchange how good the production design was on Spider-Man.

419

Like, astounding.

420

Fucking astounding.

421

Like, walking through and just...

422

Charlie Wood.

423

So fucking good.

424

Charlie would look oh mother yeah Benny's costume is remarkable incredible man I don't know

425

Charlie would for Spider-Man it took so many people to take those what

426

and take the costumes off you at the end of it like you you're all that's the other you know

427

that Ruth DeJong from Odyssey fuck what she did is remarkable It's hard to choose a favorite.

428

Yeah, I'd say they're- they're- they're both- yeah.

429

Just as good as it gets.

430

As good as it gets.

431

As good as it fucking gets.

432

The best in the business.

433

Yeah.

434

How we feeling?

435

I feel like I could black out.

436

Ugh.

437

Yeah.

438

You know, it's amazing how the milk helps and then immediately it comes right back.

439

It comes right back.

440

Would you guys like some ice cream?

441

Nah, come on.

442

That's what I'm talking about.

443

I'm good, I'm good.

444

It's burning down the ice cream.

445

Uhhhhhhhhh Wow Okay, it's all good.

446

I think we just got I think we're back.

447

I think we're okay.

448

Yeah, we're okay.

449

We're getting there.

450

I'm not quite there Yeah, okay, okay.

451

I need another couple minutes.

452

Yeah, slow it down Yeah, your experience do you know from last time the right pace for you?

453

Yeah Fuck.

454

I feel like I'm totally back. Do you?

455

That's right.

456

I was literally five seconds ago I just took a deep breath and I feel like I'm back at number one.

457

There we go.

458

That's the place to be.

459

That's where you want to be.

460

Yeah.

461

Especially going into the home stretch here.

462

Yeah, let's go.

463

Oh, okay.

464

Because if you're ready, we only have two more wings.

465

That is, um...

466

What's this one called?

467

Triple X Salsa vibes.

468

Okay, I like salsa.

469

It has little red flakes on it.

470

Oh, bro.

471

Okay.

472

Look at Sean, dude.

473

I'm not immune to it.

474

You know, I'm not sure you're on my job.

475

I'm looking at superheroes across the set You think is it is it?

476

Healthy to eat as much of this shit as you do I told myself is it probably is right?

477

How the spice is healthy is it yeah, I mean in moderation This ain't moderation, but this

478

So John when you were on we talked a little bit about your time as a catcher

479

when you were in Russia which made me wonder what are the stadium vibes like in Moscow?

480

Like is there anything distinctive about a Russian baseball fan?

481

Being a catcher, that's gonna be the hardest.

482

Is that the hardest gig on a baseball field?

483

I think so.

484

I mean, look, you're involved in everything, you know?

485

Yeah, you don't take any breaks, right?

486

Don't take any breaks.

487

It's very psychological.

488

You're in the head of the batter.

489

You know, you're talking to the batter the whole time.

490

What's the- What's the whole time.

491

You're very responsible for the pitcher, for his psychology.

492

What's the communication like with the pitcher?

493

How does that work?

494

Well, you're calling.

495

I see them do this shit.

496

So you're calling which pitch.

497

How do you do that?

498

So like a one is a fastball, two is a curveball.

499

Because that looks crazy.

500

Sorry, sorry.

501

So you're calling your pitch, and then you're also saying which side it is.

502

But then there's also there's first and third place.

503

So you're calling out all those plays.

504

You're the field general.

505

It's called the field general.

506

So you're constantly talking.

507

I feel like I learned more Russian there than I did in the theater.

508

But, you know, it's a great position.

509

So the catch up is telling the pitcher what pitch to throw.

510

Yeah. Are you?

511

I'm looking at where the batter's standing.

512

I've got to know the batter.

513

I've got to know what his strengths are.

514

That's what I was like, do you do research on the batter before time?

515

Yeah, I mean, yeah.

516

I can't speak.

517

So there's all kinds of shit that's going on.

518

But I also got to really know my pitcher and know how he's throwing and know sort of where he's at.

519

Is his fastball, is there any movement to it?

520

Is it really moving today?

521

Is it slow?

522

All that shit.

523

I'm a cerebral guy, Tom.

524

You are, bro.

525

You are.

526

Yeah, bro.

527

You know that.

528

I love it, bro, when they rush the plate and they get angry at each other.

529

Yeah, yeah.

530

Well, that's the other thing.

531

Like, if anybody, you know, because I do.

532

You've got to chase.

533

Yeah, you're in pursuit.

534

Yeah, like, I'm responsible for everybody's safety.

535

Like if you rush my- Dude, I knew that the Punisher was behind me Yeah, I'm gonna fuck that guy.

536

And he's been pinching with a whole new level of confidence.

537

Like that was my fault, bro.

538

Yeah.

539

That's- I'll just walk to- Yeah.

540

That's basic.

541

Alright.

542

What?

543

Oh, it's the last one.

544

It's the last one.

545

What's the last one?

546

Come on, let's do it, Tom.

547

Let's fucking- let's show Sean what's up.

548

Man, that was more than I was anticipating coming out then.

549

Do you feel like this- Let's go.

550

Is significantly worse than the bomb?

551

I think that the worst is over.

552

That's what I think.

553

That's what I kind of remember.

554

And even if it is, that's what we're gonna tell ourselves.

555

Fucking ain't.

556

Hey, Tom, we're gonna eat this whole week.

557

Okay?

558

Just fucking eat it, right?

559

Come on now.

560

Whatever, Shy, ain't so fucking bad.

561

That ain't great, though, John.

562

That ain't great.

563

I got it for now.

564

Look at that.

565

Oh!

566

Oh, my word.

567

Oh my way.

568

I'm going to throw up.

569

There's just so much of it in my mouth. That is a lot.

570

That was bold, right?

571

There's sweat coming out of my eyes.

572

I'm proud of you.

573

I'm impressed.

574

Oh, that's really bad.

575

That's really bad.

576

This is worse than I remember from being here.

577

It is worse, yeah.

578

But the good news is...

579

The wings of death are behind us.

580

You guys have conquered Hot Ones now for a second time.

581

Motherfucker, dude.

582

Me.

583

And you know, ten years ago, you guys made a strange movie called Pilgrimage, where one of you couldn't talk, the other was the only one you could lean on.

584

To close things out, what's one thing about the other guy

585

that you appreciate more than you did back then with the last decade of experience?

586

That's easy for me.

587

I wanna- I'll take this one because you always say such nice things about me.

588

Oh, fuck!

589

As a young man in this business, coming up, it's so important to find people that you can look up to,

590

and people you aspire to be like, and the way John is with his family, and his kids, and the way he purchases his work,

591

the way he is with people on set, The way he's been with me since I was a kid

592

to now being 30 years old is something I'm super grateful for.

593

And I've learned a lot from him as a professional.

594

Even today listening to you talk about all that Russian bullshit was really interesting.

595

Oh Tom, this is so bad.

596

This is so bad.

597

And the tears are my love for him.

598

I love you too man.

599

I really love you too man.

600

The fact that we auditioned for these movies together.

601

Yeah, fuck.

602

And we took that leap of faith together We get to share this moment together now It's pretty awesome, and I'm just very grateful

603

Very grateful That we got to do this even like our first day on the Odyssey was together Yeah, and we got to sit down after work,

604

and we were like dude How fucking crazy was that?

605

I'm gonna drink your milk, bro And now here you guys are doing hot ones together

606

and look at you taking on the gauntlet for a second time

607

Living to tell the tale and now there's nothing left to do, but roll out the red carpet for you This camera this

608

camera this camera dude Let the people know what you have going on in your life.

609

Bro, it's really bad.

610

And then be careful around the eyes Tom.

611

Oh shit!

612

Be careful around the eyes.

613

Not at the finish line.

614

You want more milk?

615

Oh shit.

616

I think I'm okay.

617

Yeah, just be- I think I'm okay.

618

Okay, that would have been a wrap on the day.

619

Man, I gotta go and hang out with all these kids now for Spider-Man.

620

And I can be like, what the fuck happened to Spider-Man?

621

Splatter diarrhea.

622

Jeez.

623

Oh man, Sean, it's such a pleasure, dude.

624

Thank you so much.

625

You do great work, bro.

626

Thank you, yeah, the best, man, really.

627

Keep it up.

628

You're such a cool guy.

629

It's crazy that he just fucking destroyed our life.

630

What are you doing right now after this?

631

What do you do?

632

What is your after show routine?

633

You know what?

634

I'm just gonna enjoy a bowl of ice cream.

635

I'm gonna put my feet up for a little bit As you should

636

and then I'm gonna dive into an edit cuz you know

637

what the plight of a chicken wing talk show host Never sleeps.

638

The Odyssey, July 17th Spider-Man, brand new day July 31st John Bernthal,

639

Tom Holland Thank you, thank you everybody Oh my god, dude. So let's go.

640

So it's like our intro shot, so it's like, ah!

641

Okay, we're rolling.

642

Yeah, what the fuck?

643

Yeah, what the fuck?

644

Oh my god!

645

Let's go!

646

Let's go!

647

Let's go!

648

Let's go!

649

Take a picture of it!

650

Let's go!

651

You can use that!

652

Come here, Tom.

653

You can use that!

654

Oh, look, you thought I got none of it on my phone?

655

Yeah, I need a picture of that.

656

That's a pro right there.

657

Oh, has anybody puke before?

658

That might be the first on set ever.

659

I love being the first.

660

Can I see playback for that?

661

Hey, what's going on Hot Wins fans?

662

You know you can catch me every Thursday interviewing celebrities over the wings of death.

663

But if you're looking for a little more Scoville-laced action, tune in Tuesdays for Hot Wins Versus.

664

It's the show where celebrities go head to head.

665

They either tell the truth or suffer the wrath of the last dab.

666

So tune in Tuesdays for a front row seat to the fiery fights and celebrity clashes.

667

That's Hot Ones versus Tuesdays on First We Feast.

668

Don't miss it.

Phương Pháp Shadowing Là Gì?

Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.

Luyện nói tiếng Anh bằng Shadowing qua video: Tom Holland and Jon Bernthal Team Up While Eating Spicy Wings | Hot Ones

Ấn Tượng Đầu Tiên

Giải Thích Câu Chuyện

Thói Quen Luyện Tập

Phương Pháp Shadowing Là Gì?