シャドーイング練習: The problem with Roberto De Zerbi's football - 動画で英語スピーキングを学ぶ

読み込み中...
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For a long time, the received wisdom of football tactics was as follows.
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Attack big spaces, defend small spaces.
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This makes sense.
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You defend small spaces and attack open spaces because it makes the task of attacking and defending easier.
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Pep Guardiola's football, however, turned this logic on its head.
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Citing the inspiration of Marcela Bielsa, Guardiola's football sought instead to compact the space that you attacked and leave space behind you open to defend,
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defend, all through possessing the ball.
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The downsides are obvious – you leave a lot of space behind you to defend.
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But the upsides are that you get more players in attacking positions
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and that if you lose the ball you're actually quite far away from your own goal.
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Plus, you prepare a rest defence to deal with these situations.
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It might not sound that radical now, but this was the foundation for Guardiola's domination of the game.
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The problem is that you need an incredibly high level of technical
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and physical players in your squad in order to play this way.
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So, after years of attempting to imitate Guardiola's style, inevitably other coaches started to look back to the old received wisdom to interrogate it for new ideas.
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One of these coaches was the young Italian Roberto Di Zerbi.
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What follows is a story from the new book, The Spectre of Pep, How Guardiola Haunts Modern Football by John McKenzie.
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This was adapted for video, so is much shorter than the original, which contains far more detail and is is worth reading.
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You can find a link to buy the book in the description.
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The origin story of De Zerbi's tactical approach is told by
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one of the players he coached at Foggia right at the outset of his coaching career.
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Antonio Vacker had grown up a keen futsal and five-a-side player in Naples, the town where he was from.
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On the Neapolitan futsal courts, he developed a habit of controlling the ball with the sole of his foot, something that irked his coach at Foggia.
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At times, De Zerbi would stop a training session to lecture Vacker about his habit, telling him that it was fine to use his sole from time to time, but only when it was absolutely necessary.
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If he didn't need to, then he shouldn't.
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And for the most part, Wacker took the criticism on board and got on with practice.
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But on one occasion, he didn't.
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Wacker himself recounts the story.
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My teammates on the opposing side weren't stepping out to press me.
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So the coach kept telling me, pass it, move it.
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So I replied, coach, if our opponents on Sunday come here
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and play for a point and I move it without getting one of them to jump and press the ball, it's no use.
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I argued that if I put the sole of my foot on the ball and lured the opponent out, I've invited him to press me.
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As he does that, we can break the line with a pass."
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Calling out a coach like that in the middle of a practice session could have backfired, but eight years later Dezebbi would credit Wacker with having provided him with the tool through
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which to implement one of the fundamental principles of his tactical philosophy – baiting the press.
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The concept of press baiting is the in-possession counterpart to the out-of-possession concept of low blocking.
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Where the low block drags the opposition forward in their attempt to score a goal, the press bait drags the opposition forward in their attempt to win possession of the ball back.
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The result can be the same in both scenarios though, creating the conditions to attack large spaces, like the old logic says.
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De Zerbe had found a way to get the same benefits of low block encounter football, but without having to give up the ball to do so.
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When it comes to playing through the press, De Zerbi's teams use quick changes of tempo to aid them.
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He teaches his players to quickly calculate if they have a territorial overload
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or not by counting the number of defenders the opposition have in their backline.
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If Brighton, for example, have three attackers in their front line, but the opposition have four defenders in their backline,
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plus a goalkeeper, obviously, the Brighton players should instantly know that they have an extra player, as well as a goalkeeper, deeper in the field.
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In these instances, De Zerbi tells his team to develop the play slowly.
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If, however, the opposition only have three defenders in their backline, taking your goalkeeper out of the equation,
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you now know that you have a situation of numerical equality with their opposition.
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In these conditions, De Zerbi encourages his team to play vertically, essentially faster, longer balls, to try and take advantage of an improved balance up front,
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where your attackers are now 1v1 with their defenders.
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So baiting the press opens out the possibility of a return to the old logics – defend small spaces, attack big ones.
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But there are similarities to Guardiola's football.
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While Guardiola's teams have to break down a low block deep in the opponent's half, Di Zerbi's teams have to break a high press deep in their own half.
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For Guardiola, the opponent must be forced backwards into their own penalty area to elicit a form of control.
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For Di Zerbi, they must be pulled forwards to create space that could be exploited.
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However, there is a problem here.
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In Guardiola's case, the opponents are forced backwards.
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This is about imposing a state of affairs on the opposition.
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They must drop deeper.
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On the other hand, De Zerbi's approach provokes.
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In other words, success requires a voluntary action on the part of the opponent.
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The reality is, the success of De Zerbi's approach contains within itself the conditions of its own failure.
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What happens if the opposition stops accepting the bait in the first place?
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In these instances, without the opponent jumping up and looking to generate numerical equality against De Zerbi's build-up unit, the players are encouraged to build up less vertically,
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essentially adopting an approach to ball progression that you might expect to see a Guardiola team using.
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But De Zerbi's teams tend to be structured around the fundamentals of the vertical game, both in terms of tactical instruction and squad building.
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As a result, a team who are built to generate space through enticement will struggle when coming up against the low block.
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For example, when Dezerbi was at Brighton, both David Moyes' West Ham and Sean Dyches' Everton caused him problems with a well-structured lower block,
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which could quickly decompress into dangerous fast attacks running through the wide channels.
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In the end, then, Dezerbi finds himself caught between these two modes.
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The better his team has become at creating at exploiting space through baiting, the more likely his opponents will be to refuse to allow them any space,
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and the effectiveness of his approach gradually reduces.
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At Brighton, a 6th placed finish in his first season was followed up by an 11th placed finish in his second,
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as more and more teams refused to acquiesce to the provocation.
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If De Zerbe, at an elite club, had access to the kinds of resources needed to overcome the tactical problems his system produces, it could be different.
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Until then, though, he will continue to remain the victim of his own success.

この動画で身につく英語スピーキングのスキル

この動画を使った英語スピーキング練習では、2つの重要なスキルが身につきます。まず、説明的な文章のリズムです。サッカー戦術の説明は長い文が続きますが、接続詞や関係詞を使ってスムーズに話す方法が学べます。次に、意見や逸話の伝え方です。選手の話を引用しながら戦術の変化を説明する様子から、自然な会話の流れを覚えることができます。

聞き取りに注意すべき発音・リンキング

動画の中には、ネイティブスピーカーの典型的な発音の特徴がたくさんあります。例えば、"received wisdom"は「リシーヴド ウィズダム」ではなく「リシーヴドウィズダム」とリンクされ、"press baiting"は「プレスベイティング」となります。また、"the opposition"の"the"は強く発音されず、「ジ」と軽くなることが多いので注意してください。これらのリンキングや弱発音を覚えると、英語の発音を良くすることができます。

ネイティブのように話すコツ:リズムとストレス

ネイティブのように話すには、リズムとストレスの捉え方が重要です。動画のスピーカーは、キーワード(例えば"tactical approach"、"press baiting")を強く発音し、その前後の単語を軽く流します。"Shadow speak"(シャドースピーク)の練習をするときは、このリズムを真似てみてください。また、長い文の途中では息継ぎのために短いポーズを入れることもポイントです。例えば、"The problem is that you need an incredibly high level of technical and physical players in your squad in order to play this way" の場合、"squad"の後で少し止めると自然に聞こえます。

動画で英語学習をする際は、これらのポイントを意識して繰り返し聞き、シャドーイングを行うと効果的です。少しずつ慣れていけば、英語のスピーキング力が着実に上がりますよ。

シャドーイングとは?英語上達に効果的な理由

シャドーイング(Shadowing)は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的:ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影(shadow)」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。