تدريب Shadowing: P.G. Wodehouse AUDIOBOOK 'Heavy Weather ' - تعلم التحدث بالإنجليزية عبر الفيديو

جارٍ التحميل...
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Heavy Weather by P.
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G. Woodhouse Read by Martin Jarvis Sunshine pierced the haze that enveloped London.
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It came down Fleet Street, turned to the right, and stopped at the premises of the Mammoth Publishing Company.
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Entering through an upper window, it beamed pleasantly upon Lord Tilbury, founder and proprietor of that vast factory of popular literature,
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literature, as he sat reading the batch of weekly papers which his secretary had placed on the desk for his inspection.
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Considering what a pleasant rarity sunshine in London is, one might have expected the man behind the mammoth to beam back.
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Instead he pressed the buzzer.
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His secretary appeared.
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He pointed silently.
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The secretary drew the shade, and the sunshine, having called without an appointment, was excluded.
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"'Oh, I beg your pardon, Lord Tilbury.' "'Well?' "'A Lady Julia Fish has just rung up.
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"'She says she would like to see you this morning.' "'Lord Tilbury frowned.
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"'He remembered Lady Julia Fish as an agreeable hotel acquaintance "'during his recent holiday at Bieritz, but this was Tilbury House,
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and he did not desire the company of hotel acquaintances.
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Did she say what she wanted?
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No, Lord Tilbury.
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The secretary withdrew.
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Lord Tilbury returned to his reading.
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The particular periodical which had happened to come to hand was the current number of that admirable children's paper, Tiny Tots.
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But presently he threw it down, and for the third time since it had arrived by the morning post, picked up a letter which lay on the desk.
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It was brief, but it had ruined Lord Tilbury's day.
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It ran, Blanding's Castle, Shropshire.
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Dear sir, enclosed fine cheque for the advance you paid me on those reminiscences of mine.
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I've been thinking it over, and have decided not to publish them after all.
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Yours truly, G.
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Threepwood.
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Lord Tilbury rose from his chair and began to pace the room.
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Short and stumpy, and about twenty-five pounds overweight, he looked like Napoleon taking his morning walk at St Helena.
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And yet, oddly enough, there were men in England who would have whooped with joy at the sight of that letter.
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In this world everything depends on the point of view.
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Some months before, the news had got about that the on Galahad Threepwood, brother of the Earl of Emsworth,
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and as sprightly an old gentleman as was ever thrown out of a Victorian music hall, was writing the recollections of his colourful career as a man about town.
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The shock to many now highly respectable members of the governing classes was severe.
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All over the country decorous dukes and steady Viscounts, who had once sown wild oats in the society of the young Galahad, sat quivering in their slippers,
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at the thought of what long-covered skeletons those reminiscences might disclose.
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To not a few, Lord Emsworth's nearest neighbour, Sir Gregory Parslow-Parslow of Matchingham Hall, was one of them.
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It was as if the recording angel had suddenly decided to rush into print.
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Lord Tilbury, however, had looked on the thing from a different angle.
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He knew, no man better, what big money there was in this type of literature.
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The circulation of his nasty little paper, Society Spice, proved that.
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Even though Percy Pilbeam, its nasty little editor, had handed in his portfolio and gone off to start a private inquiry agency,
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it was still a goldmine.
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There is a tender spot in all great men.
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Achilles had his heel, with Lord Tilbury it was his pocket.
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He hated to see money get away from him, and out of this book of galley Threepwoods he'd been looking forward to making a small fortune.
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Little wonder then that he mourned.
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He was still mourning when his secretary entered bearing a slip of paper.
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Name Lady Julia Fish, business personal.
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At a time like this, tell her I'm— And then there flashed into his mind a sudden recollection of something about this Lady Julia Fish.
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The words Blanding's Castle seemed involved.
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He turned to his de Bret's peerage and searched among the Es for Emsworth Earl of.
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There it was.
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Lady Julia Fish had been born Lady Julia Threepwood.
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She was a sister of the perjured Galahad.
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That altered things.
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The woman would not be calling unless she wanted to get something out of him.
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To inform her in person that she was most certainly not going to get it would be balm to his lacerated feelings.
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"'Ask her to come up.'

السياق والخلفية

في الفيديو، نجد أنفسنا في عالم ب. ج. وودهوس، حيث تقدم لنا شخصية اللورد تيلبوري تجربة يومية في مكتبه. يسلط الحوار الضوء على بعض التفاعلات الاجتماعية والتحديات التي يواجهها، مما يعطي لمحة عن حياة الشخصيات الأدبية في لندن. يتمحور الحديث حول علاقة اللورد بمؤلفين آخرين، وكيف يمكن أن تؤثر تلك العلاقة على مسيرته الأدبية ومصادر دخلهم. توفر هذه الخلفية السياقية فرصة رائعة لتعلم اللغة الإنجليزية من خلال فهم كيفية استخدام العبارات المتداولة في الحياة اليومية.

أهم 5 عبارات للتواصل اليومي

  • “أعتذر، اللورد تيلبوري.”
  • “ماذا تريدين أن تقولي؟”
  • “هل لديك موعد لمقابلتي؟”
  • “أحتاج إلى التفكير في الأمر.”
  • “هذا سيؤثر على يومي بشكل كبير.”

تستند هذه العبارات إلى مواقف يمكن أن تحدث في الحياة اليومية، مما يجعلها مثالية لممارسة المحادثة الإنجليزية. يمكن استخدام هذه العبارات في مختلف السياقات الاجتماعية.

دليل خطوة بخطوة لطريقة التظليل في الإنجليزية

لتحقيق أقصى استفادة من الفيديو، يمكنك اتباع الخطوات التالية:

  1. استمع أولاً: استمع إلى الفيديو بالكامل دون محاولة التحدث. فقط انتبه للعبارات والنطق.
  2. قم بالتكرار: بعد الاستماع، عد إلى البداية وابدأ في تكرار العبارات. حاول تقليد نبرة الصوت والإيقاع.
  3. استخدم طريقة التظليل: قم بفتح الفيديو واستخدم خاصية الإيقاف المؤقت لتكرار كل جملة بعد المتحدث. هذه طريقة التظليل في الإنجليزية تعزز من قدرتك على النطق الصحيح.
  4. تسجيل نفسك: قم بتسجيل نفسك أثناء ممارسة العبارات، ثم استمع للتسجيلات لتحديد مجالات التحسين.
  5. الممارسة مع شخص آخر: إذا كان لديك شريك دراسي، قم بممارسة العبارات معه في محادثة طبيعية.

هذه الخطوات ستساعدك على تحسين مهاراتك في التحدث وتطوير قدرتك على التواصل بشكل أكثر فعالية. تذكر أن ممارسة المحادثة الإنجليزية تحتاج إلى الاستمرارية والإصرار، فكلما مارست أكثر، زادت ثقتك بنفسك.

ما هي تقنية التظليل الصوتي؟

التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.