Pratique du Shadowing: Miles Fakes Being A Cop… And The Problems Keep Coming | Blue Streak Best Scenes - Apprendre l'anglais à l'oral avec YouTube
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Get him!
227 phrases
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Get him!
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I'm glad to see y 'all.
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What are y 'all waiting for?
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Go!
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Well, we can't, Malone.
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We have no jurisdiction.
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Oh, damn that!
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Damn the jurisdiction!
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Go!
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Now!
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We cannot cross into Mexico.
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You can't?
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No. You can't?
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No. Watch me.
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Malone.
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Malone.
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Believe that.
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Malone!
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Move in!
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Damn it, one boy!
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Come on, Mars!
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Shit!
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You under arrest.
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What the hell you think you're doing?
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I'm arresting you before they get here.
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Oh, yeah?
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Yeah.
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They'll just blow your head off before they get here, huh?
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No. No. You see the way I see it? is you got 30 seconds before they make a pinata out of yours.
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What the hell are they talking about?
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Malone is an expert negotiator.
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He's an expert, sir.
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Now, you got two choices.
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- You can wind up somebody's bitch.
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Or you can wind on somebody's senorita.
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Make up your mind.
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Your choice.
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I got three choices, okay?
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Maybe I just tell them who you are.
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No, you gonna shut your mouth.
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'Cause maybe I'll cut you back in on a diamond.
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Huh?
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Shit, man.
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I got the goddamn diamond.
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Come on, Deke.
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Let me get that up out you.
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I'm your only way out, Deke.
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Now give me the gun.
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I know you don't want to go to jail in Mexico.
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Nobody won't go to jail in Mexico.
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Boy, they put all kinds of burritos in your ass.
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Shut up, huh?
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Come on, D, give me the gun.
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Come on, D!
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No. Think of my cop!
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Okay?
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They think I'm a cop, man.
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Okay, I can help you.
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Okay?
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You don't want to die here.
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Okay?
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Now get out of it, G.
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If you screw me, I swear to God I'll come back for you.
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I swear to God I'll come back for you.
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Give me the gun.
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Give me the gun!
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There you go.
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Let me get that about you.
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Let it go.
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There you go.
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Damn.
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Oh, there you go.
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- Now, D.
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Now, this is gonna hurt a little bit.
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Holy Christ.
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- Huh?
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- Yeah, for Eddie.
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- Adios, amigo.
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- Miles?
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You son of a bitch, Miles!
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Come back here!
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You son of a bitch!
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Miles, you die!
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Listen, it's the dead end, all right?
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Oh shit!
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Stay out behind those dumpsters.
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He's freaking out, sir.
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He's got a gun.
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Get out!
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Break up!
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Get Svart up here!
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- Yes, sir!
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- Sharp shooters can take him out from the roof.
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- Yeah.
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No!
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No sharpshooters.
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Why the hell not?
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- Ma, what are you doing here, man?
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- Who's he talking to?
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I don't know.
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He high, man.
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He's hallucinating, smoking that shit.
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He's high.
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Put down the gun and come out!
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Hold this.
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Oh, I'm going.
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What are you doing?
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What are you, crazy?
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- Perf!
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- Miles, what are you doing here, man?
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- I just wanna talk to you before somebody gets hurt.
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- Go away!
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- Okay, now, son, please put down the gun.
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Son, come on.
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- Shut up!
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- Ah, it hurts my heart, son, to see a kid that has so much potential.
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- I'm coming out!
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Hold it, now listen, man.
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All right, now, God damn it, what are you doing?
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What the hell are you doing?
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You got me out here in this shit.
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Look, how many times I told you?
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How many times told you, "Forget the safe"?
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Go straight for the cash drawer.
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Get in and get out!
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Oh great, he's standing in the way, now I can't even get a shot.
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I can't either.
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Why are you hitting mom and pop stores anyway?
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Look, you're a driver, man.
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You got skills to me you can be out there on the road man doing your shit, but I'm desperate because I need some money too And why the freak are we whispering?
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Back up nigga.
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I'm telling you.
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Hey!
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What are they talking about?
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I don't know.
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Yo, Tully, I'm working on something here, and you're blowing it for me, man.
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I'm sorry, man.
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I'm messing up.
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I'm messing up, man.
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Okay, it's all right.
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It's all right.
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Look, I'm not mad at you.
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I'm not mad at you.
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You're going to have to give me the gun.
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and let me arrest you.
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Lee, come on, man, listen.
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I'll give you 10 grand.
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You know I'm good for it.
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Mmm...
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I'm thinking like 50, man.
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-Tully, 50?
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That's-- you push-- that's pushing it, man.
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Damn!
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All right, 20, okay?
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And you'll spend one night in jail.
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Now, Tilly, that's the best I can do.
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That's it, best I can do.
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Mmm.
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All right, fine.
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Fine, I'm keeping my gun, though.
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You cannot let me arrest you and keep the gun, man.
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Come on!
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Damn, I just got this, man.
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This is hard to find.
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Yeah, it's hard to find, but damn it, you're gonna have to get up the gun, okay?
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Now, what you wanna do, Tali?
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Okay?
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You gonna give up the gun, or you wanna have them put about six or seven bullets in your ass, man?
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Okay, now give me that gun!
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Nooooo!
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Don't just hand it to me.
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I gotta take it from you.
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- Yeah, they watchin' it, look down.
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- All right, all right.
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Now this is gonna hurt a little bit.
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I say this gonna hurt a little bit.
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Jesus, that's incredible.
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Remember, you don't know me anymore.
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I sure don't, but you didn't used to be so violent.
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Here we go.
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- Check out the driver.
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Yeah.
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Five foot six, greasy hair, messy, very...
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Are you a hairdresser or a detective, man?
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Bye.
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That's a jailhouse chat.
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Drivers did a stretch somewhere.
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10 :12, requesting backup.
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LAPD, this is Agent Gray, FBI.
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Stand down.
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I repeat, stand down.
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Bullshit!
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Hey, screw them.
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Come on!
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Let's do it!
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Come on, dude!
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Come on, come on!
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Come on!
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Come on!
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We've got your weapons!
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We're dead!
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We're dead!
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All right, don't move!
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Stand still!
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Put him there!
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Come on!
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Take him, he's yours!
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Don't do right for me!
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Don't do right!
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Let's see those hands, huh, brother ball?
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Come here!
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What, you wanna make me run?
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I'm ready to go right.
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All right?
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Damn!
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Don't you know better to run from the police?
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I do.
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You got me tired, you know that.
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I don't like to get tired.
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When I get tired, that means I got ass to work.
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And I think that's what I'm about to do.
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Get your ass up!
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Wait a minute.
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- Thank you.
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I'm sure you're coming here, right?
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Bingo.
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That's the shit.
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Exploring Real-Life Dialogue: A Glimpse into Casual English
The video captures a high-tension, fast-paced conversation between characters in a stressful situation, making it a goldmine for learning casual, conversational English. The dialogue is filled with slang, contractions, and urgent tone—elements that mirror real-world interactions, perfect for english speaking practice and even IELTS speaking practice (which values natural fluency). Let’s break down key takeaways to boost your speaking skills.
5 Must-Know Phrases from the Conversation
- "Damn the jurisdiction!": A bold way to say "rules don’t matter right now." Useful for expressing urgency in informal settings.
- "Make a pinata out of yours": A colorful threat meaning "attack you violently." Slang like this adds flair to your speech.
- "Wind up somebody's bitch": A harsh term for "end up being controlled by someone." Note: Use only in very casual, non-polite contexts.
- "Cut you back in on a diamond": Offer a share of a valuable item. Great for learning negotiation language.
- "Your choice": A direct way to force a decision. Simple but powerful in daily communication.
Mastering the Dialogue with Shadowing: A Step-by-Step Guide
Shadowing—repeating speech immediately after a speaker—is a proven technique for improving pronunciation and fluency. Here’s how to use the video for shadow speak practice:
- Watch and listen first: Focus on tone (urgent, aggressive) and rhythm. Notice how words blend (e.g., "y’all" instead of "you all").
- Pause and repeat short clips: Start with 2-3 second segments. Mimic the speed and stress (e.g., "Move in!" is sharp and loud).
- Record yourself: Compare to the video. Do you match the intonation? Adjust until it sounds natural.
- Use a shadowing app (if available): These tools slow down speech and let you loop sections, making practice easier.
- Practice daily: Even 5 minutes a day with this dialogue will boost your ability to follow fast, casual English.
By focusing on shadow speech with this video, you’ll not only learn new phrases but also train your mouth and ears to keep up with real-life conversations—key for confident speaking.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.